There’s jokes about everything from glam/hair metal and dubstep, through to Rick Astley and the ridiculousness of ‘extreme’ metal band names (Deathgasm spitball through other potential band names like ‘Murder Boner’, ‘Maggot Sperm’, and ‘Cannibal Unicorn’). If you even remotely like any kind of Rock or Metal music this film is an absolute must-see as it’s 90 mins of lovingly poking fun at ‘metalheads’, metal bands, and most of the sub-genres. I suspect Deathgasm will come to be regarded in the same way many of Raimi's earlier movies are regarded - a cult classic which finds a well-deserved place in many people's film collections. Great casting with good performances mean that even if you don't spot this or that reference to another movie, you will still enjoy what is when it comes right down to it, a really fun film.Īs with all comedy horror movies, expect plenty of laughs and bucketloads of over the top gore, which, as with the Evil Dead movies, is played for laughs rather than to shock or frighten the viewer. Of course, all of the clever homages in the world would be for nothing if the story, dialogue or acting sucked, fortunately for us, that's all pretty good too. Mining a similar vein, fans of rock and heavy metal will appreciate numerous nods to their favourite musical genre, although if you're not a fan of heavy metal music, don't let that put you off watching this, as it never gets in the way of the fun, and you won't have to understand too much about rock music to get the jokes.
Milo cawthorne movie#
Digital as well as practical effects have been deliberately made a bit old school too, which helps to channel some classic 80s movie magic. All this will have cinefiles nodding with appreciation for some great film craft which pays warm homage to what has gone before.
Any fan of Sam Raimi and Bruce Campbell's output will know why I'm making that connection trademark mashing up of tongue-in-cheek horror with liberal doses of slapstick comedy, alongside Raimi-esque camera moves, framing and choice of shots etc. He will soon appear in a leading role in the New Zealand-produced television miniseries "When We Go To War" (2014), as well as the Auckland Theatre Company production of "Once On Chunuk Bair" (2014).A 1970's Holden sedan might not be quite the same as an Oldsmobile Delta 88, but it's a close enough stand in when you're on a budget. Since then, Cawthorne has moved back to New Zealand and reprised his role as Young Gee in "360: A Theatre of Recollections" (2014). He has also appeared in several short films, including "Andy" (2011), "Mae and Ash" (2012), and "I Love L.A." (2013). In late 2011, Cawthorne moved to Los Angeles, California to begin filming the independent horror feature "Blood Punch" (2013), which premiered at the 20th annual Austin Film Festival in October 2013 and won the Audience Award in the Dark Matters horror/thriller category.
He also appeared in an episode of the miniseries "Underbelly NZ: Land of the Long Green Cloud" (2011). Following this, he returned to the stage and participated in several theatre productions, including "The History Boys" (2009) with the Peach Theatre Company, and "360" (2010) for the New Zealand International Arts Festival.
Milo cawthorne series#
Still, he made his home on stage and even performed as part of New Zealand's Young Shakespeare Company at the Globe Theatre in London.Īfter unsuccessfully attempting to enroll in drama school and working as a pizza delivery boy for about a year, Cawthorne landed the role of bumbling ex-cartel member Ziggy Grover, Ranger Operator Series Green, on "Power Rangers RPM" (2009), which gave him exposure to a much larger audience than what he had been used to. But his talents took him further than just his hometown as he began appearing in several children's television shows, even starring in "P.E.T. 6 movies | 34 Blu-ray releases | 17 DVD releasesīorn and raised in Whangarei, New Zealand, Milo Cawthorne developed a love for acting at a young age and participated in several productions in the local community theatre.
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